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Documentaries On:

Documentaries on Asian studies

Can Tropical Rainforests Be Saved?

The first global investigation of this global issue, filmed in Asia, Africa and Latin America.
"Dramatic... will keep viewers riveted to the screen."
—Los Angeles Times
"Mind boggling... well worth your time."
—New York Daily News

Do Not Enter: The Visa War Against Ideas

Prominent people in twelve countries, invited to speak or participate in U.S. cultural activities, were denied U.S. visas. The filmmakers asked them what they might have told Americans if allowed to enter.
"A bold, indignant documentary."
—Newsday
"An excellent resource for classes."
—Journal of American History
"Responsible... persuasive... Watch it."
—New York Times
"Effectively challenges the portrayal of the U.S. as a 'marketplace of ideas'...skilfully draws out contradictions."
—Journal of Contemporary Sociology

Eating the Scorpion

American teachers visit China for the first time, an experience that transforms them and their students.
"...it is the teachers' enthusiasm which really grabs the students."
—Anne Prescott, Associate Director, Center for East Asian and Pacific Studies, University of Illinois

Five Days to Change the World

A youth rebellion and major issues at the world's largest peace congress: child soldiers, small arms, land mines, nuclear weapons, peace education, racism, poverty, International Criminal Court. Martin Sheen, Narrator.
"...a riveting program that may inspire other young people to think about and perhaps take positive steps to achieve world peace."
—School Library Journal
"...conveys the earnestness of the young people, many of whom came from war-torn countries. In just a few days, they were able to influence the larger conference agenda... Highly recommended."
—Library Journal

For Export Only: Pesticides

Global corporations export banned or severely restricted pesticides to developing nations.
"If you ever wanted to know how human beings behave in the absence of rules, in an open unregulated market, these films provide the answer."
—Washington Post
"More of a piece of investigative journalism than any other program honored. And what made it special was that it was produced not by a major station or network, but by Robert Richter, an independent producer. He beat the networks, with all their money, at their own game."
—New York Times report on duPont Columbia award

For Export Only: Pharmaceuticals

Global corporations export banned or severely restricted pharmaceuticals to developing nations.

Hungry for Profit

"Clear and convincing. Excellent for studies of population, land use, food economics, international banking, social organization, history and comparative government."
—Amer. Assn. for the Advancement of Science

"A clearheaded and moving film about the rise of global agribusiness and the disturbing effects of first-world economic concerns on third-world food supply ...Many of the issues investigated remain at the core of the global hunger debate."
—Gourmet Magazine, February 2007

The Last Atomic Bomb

Nuclear proliferation of today is seen through the life of a Nagasaki survivor and college students dedicated to making sure the truth about the last atomic bomb deliberately used on human beings will never be forgotten
"It's impossible to remain detached...an emotional sledge hammer but not a diatribe ...Deeply affecting..."
—New York Times
"***(3 stars) A worthwhile effort to understand an event that should never be repeated. Recommended."
—Video Librarian

The Money Lenders: Update 2000

Major criticisms of the World Bank and IMF. Prime-time TV in Europe, but too hot for PBS!
"Interesting look at both sides of the issue... Recommended."
—Video Librarian

Vietnam: An American Journey

"Robert Richter was the first American filmmaker allowed in Vietnam after the war, and his seven-week trip down Highway One from Hanoi to Saigon (Ho Chi Minh City) is an enlightening, often touching portrait of civilian rehabilitation after a national trauma."
—Village Voice
"A fascinating and deeply moving informative guided tour through ravaged but resilient postwar Vietnam by a sensitive, enterprising filmmaker."
—William Wolf, Cue Magazine